Author: Cor Vanistendael

The Reasonable Amount of Sweat Theory

1817-accidents-in-quadrille-dancing

Dancing = Sweating. To become a dancer, there is no other way than practicing, practicing and again, practicing. Which simply put, comes to sweating, sweating and more sweating. Thus the quote claiming that a genius is the result of 99% perspiration and 1% inspiration can be taken quite litteraly for dancers.

Of course the quote doesn’t apply universally. It is even a rather moralistic one. Because, for instance, it makes the claim that with just hard work you can achieve anything. And of course that never is true for 100%. Succes depends enormously on the place where you were born, or who your parents were. But one thing is sure: you never become a top-dancers without having sweated a great deal to master your trade.

And yes, talent is important and in-born, etc. And yes, that’s why the difference between a realy great dancer and a slightly less good dancer is sometimes so obvious. But believe me, they both will have sweated a great deal before they got there.

So why did I started all this? Well, because recently I read the astounding memoirs from the Comte de Mérode de Westerloo, were I could again discover how much dance training and lessons were required in the early regency periode. On pg 128 – 130 he brightly describes how he got to know the new dancing style of the quadrille in Charlesville (France) in january 1803. The new dances and the accompagning music were introduced by the local army band. They had direct relations with the greater world in Paris, where the new fashionable dancing style took the salons by storm

What surprized me the most, while reading these pages, was how clear it was that you couldn’t take part in any ball without taking lessons seriously. The background didn’t even give you the edge or advantages as before (the young count de Mérode belonged to the highest ranks of nobility). You simply had to sweat it out and thus, I count it as very illustrative for my self invented ‘Reasonable Amount of Sweat’ (TRAS) Theory.

Baroque Dance & Theatre Courses with Christine Bayle

I know, I know, it has been very quite on this blog lately. And then this late announcement… I promise to better my life and post some more in the near future.

Bur nevertheless, for those being around in Paris for the week-end and wishing to have fun with Baroque Dance during a two days course with Christine, here it is:

Prochains Stages avec Christine Bayle et Arts et Mouvement:

DANSE BAROQUE

samedi 8 – dimanche 9 novembre 2014 ouvert à tous, tous niveaux

Pas de base et codes de bras selon Le Maitre à danser, Pierrre Rameau, 1725 : chorégraphie: La Sarabande d’Issé

THEATRE BAROQUE

Samedi 29 – dimanche 30 novembre 2014 ouvert à tous, tous niveaux

Ouvert à tous où alternent mise en route, exercices de voix, prononciation, d’imagination dans des jeux et des textes, qui alternent avec la stylistique et la rhétorique de l’« éloquence du corps »* et étude de textes baroques. Apporter et mémoriser une Fable de la Fontaine, puis une scène, un poème, un air, cantate, etc…

ATTENTION!!!!

Dans les 2 cas, en relation avec la grève des employés municipaux, l’adresse du samedi 8 novembre est bien au Centre sportif Buffault, 26 rue Buffault, 75009, Paris, salle de danse, 3e étage par l’ascenseur au bout du couloir de droite. 16h-19h45

et dimanche 9 novembre : au Centre d’animation Mars-Sangnier, 20 avenue Marc-Sangnier, 75014, salle de danse, 1er étage au fond du Hall et par l’escalier sur la droite: 10h-13h comme prévu.
Ces horaires et lieux seront les mêmes pour le stage des 29-30 novembre.

A samedi 8 novembre !!!

Annonce spéciale:

Nous vous annonçons également la reprise du Ballet de la Merlaison
au Théâtre Montansier à Versailles, les 9 (matinée scolaire), 10 et 11 avril 2015.

Si vous voulez voir des extraits de cette création: https://vimeo.com/110143636

Image: Earlydance.org

Series: Dancing Back into the Future

For those who wouldn’t know: next year is 2015. Nothing to worry about, one could arguably say, as this year is 2014, etc. But it isn’t that simple, really. Not for hard boiled fans of Back to the Future like me. Next year will be 30 years since Doc Emmet M. Brown started one of his journeys into the future riding (or is it flying?) his De Lorean time machine. The question we must all ask ouselves, is then of course: will he arrive safely next year or not?

He cast off in “good old” 1985 and for those who wouldn’t remember: that year started with the most gripping news breaking to us that Greenland had just decided to leave the European Union. The year had just only begun. Merely a week or two later, Ronald Reagan swore in for his second term as President of the USA, and what a memorable term it would be! On the other side of the iron curtain, Michaïl Gorbatjev made it to Secretary General of the Communist Party of the USSR, with the known consequences. Until then the world was neatly split in two: the East and the West Blocks. The said curtain still hung safely in place and no one could by any means foresee that only four years later, the whole game would change dramatically.

Like any year in human history, it was one of ups and downs. The “New Coke” was launched and to our great relief, retired even before it made it to Belgium, Commodore released it’s fabulous Amiga and the first Super Mario games went for sale. The wreck of the Titanic was dicovered miles under the ocean and Space Shuttle Atlantis made it’s maiden flight into outer space. But it also was the year of the Great Ethiopian Hunger, the Heysel drama, the Schengen Deal and the attack on the Rainbow Warrior, just to pick up a few interesting items from the “1985” wikipedia page.

About terrorism: it proved a rather fruitfull year, alas. We tend to forget easily, but unlike today, bombs exploding in public places and plane hijackings used to be regular newsitems, back then. In Belgium alone no less than 12 terrorist attacks by the CCC (Cellules Communistes Combatantes) shook the nation that year. The one from the 4th of November clearly stands out in my mind. It totalled the headquarters of the Banque Brussel Lambert, since evaporated into the Parisbas Fortis Group. It happend only a few blocks away from where I used to live with my parents. As for that one, the commi’s applied around a ton of TNT, so naturally, the windows of all houses in the area shattered. Those were the day’s my friends!

But by December these public ennemies Nr 1 to 4 were arrested in a Quick Hamburger restaurant near Namur. Rule number one in Mao’s red book: never, ever eat capitalistic burgers, you morons! More Belgian than that it doesn’t get. But those little red boys were relatively small beer compared to their fascist countreparts, the infamous “Gang of Nivelle” (Bende van Nijvel). After two years of radio silence they completed three more deadly raids on supermarkets, shooting around and causing 16 deaths. And we even weren’t the only European country seeing regular terrorist action. They weren’t called ‘The Bloody Eighties’ for nothing.

Of course, the cultural world mimiqued some of that. U2 scored an iconic hit record with Bloody Sunday that still stands, etched into the eardrums of my generation. The song is a few years older than that, but it didn’t make it into our Top 30 hit parade unless 1985. But, that of course, was only a minor musical fact of that most remarkable year, for there also was Life Aid, the Woodstock of my generation. What a remarkable series of concerts and performances!

One just can’t image the impact of it, living in an age when live streams are the norm. Back then, we only had something called “Mundovision” and that was used once or twice a year, dedicated to very strickt occasions like the New Years Concert Live from Vienna. Not only Live Aid was all about rock & roll, but it was very chaotic as well and it took place in two places – London and Philadelphia – simultaneously, broadcasted completely in sync on television and radio. Perfect clear sound on the living room hifi and rather dull black and white (grey and still more grey would be a more adequate description) on the television set. A wonderful, unique, experience for the pre-internet age.

Meanwhile Amadeus won 8 Academy Awards, Karpov & Gasparov played their longest game – the top of their rivalry – and Rock Hudson died as one of the first aids V.I.P’s followed by so many famous and less famous individuals. But most important: BTTF I was released in the USA on the 3rd of June. Nothing in the world would ever be the same. It used to be the golden age of pop-posters. Magazines without posters, just didn’t last and Michael J. Fox – Marty Mc Fly in the movie – was the most popular item at the time, at least with girls. I, for myself, lived in a rather daft and distant world back then, where the earthly worries about pop-icons or film hits didn’t penetrate all too clearly. So I didn’t see it myself originally and am a convert of later age. And as converts are the most dedicated fans, guess what?

I discovered that the pivot point of all three BTTF movies, is a ball scène! So the next few weeks I will annoy all of you and rest of the world with my personal views on “The Enchantment under the Sea Dance” – “The Village Festival” e tutti quanti.

To be Continued…

Travel Diary of A Dance Historian in England ⁻ Part 1

The-Scala-Cinema_from_Contains_Moderate_Perril

We arrived by HST in London Saint-Pancreas without our bicycles we originally planned to take along for the journey. Alas, normal bicycles prove not to be allowed on regular HST lines in Europa. It’s a shame, and a pity for our spoiled tax money, but, fortunately, the neighborhoods around railway stations still happen be wonderful places for any traveling dance historian. I already blogged about the chances lonely by-passing travelers offer for an industry based on the quest for excitement. So, mostly, what one finds, is a rather interesting mixture of theaters, dancings, casino’s, brothels and the like. This was already the case in the 19th century when the new districts around the magnificent capped stations arose, so evidently, one can expect almost anything.

Now, the place where we arrived, definitely should be considered the first railway neighborhood in the world as Euston Road happens to be the very first railwaystation ever built. The two gates are till intact. They are, alas, also the last standing witnesses of a much larger ensemble. For those who would still sport the idea that the Brits usually care more about their heritage, I have bad news. The original venue from 1837 was relentlessly destroyed in 1960, despite worldwide protest. People can be so blind, my friends. Words simply fail to describe it.

Euston_Station_showing_wrought_iron_roof_of_1837

Now, my intuition proved correct again. Next to our hotel we discovered the Scala Club of London, not to be mistaken for the Scala Theater situated more downtown. Unlike it’s counterpart, this could very well be one of the eldest remaining originally built cinema venues in the world. The construction had started already time before the great war and as the way of it age required, it was erected as a classical theater venue, casually serving both purposes. The war naturally delayed the opening, which took place only in 1920. Until the ’60 this house of confidence, beside film, staged a load of pop- and rock-concerts and who nows also balls, like used to be the case in Cinema Roma in Antwerp (Belgium). There even exists a side-entry probably leading to an extra ballroom situated in the basement. The Rex cinema venue in Antwerp had one, as most similar buildings from the era, which still is a well kept secret for cinema and theater historians.

To be continued…

Sources:

Euston Road – Wikipedia Commons

Scala – Contains Moderate Perril